Quranic intertextuality To the poets to " The brilliance of thought and the jewels of poverty "

Abstract

An Indirect Qur’anic intertextuality is considered one of the most important artistic techniques adopted by the Andalusian poets of the book “The Jewels of Thought and the Jewels of Poverty” in constructing their poetic text because of the semantic and symbolic possibilities it provides that contribute to building significance and enriching the poetic experience that they formulated in their poetry. The aim of this research is to study the aspects of “direct and indirect” Qur’anic intertextuality in the poetry of the book “Zawahir” Thoughts and the jewels of poverty.”

Objectives: The aim of the study is to investigate the manifestations of intertextuality in the poetic texts recorded by writers by extracting the religious cultural heritage with which the poets interacted in a direct, suggestive, or indicative manner that relies on the literal expression of the inherited texts or referring to it in the poetic text.

Methods: The research adopted the descriptive analytical method to reveal the mechanisms of employing the religious heritage and its impact in the text to form the semantic structure of the poetic structure.

Results: The research concluded that religious intertextuality represented an artistic means to produce new connotations that combine the Qur’anic cultural heritage with the Andalusian era in which the poets lived.

Conclusions: The research concluded that religious intertextuality represented an artistic means to produce new connotations that combine the Qur’anic cultural heritage with the Andalusian era in which the poets lived.